Blogs
Styling notes, craft stories and bridal inspiration from the Saubhagya Mumbai warehouse.
How to style temple jewellery beyond the wedding
Temple jewellery is not only for the mandap. A matte antique-gold choker over a plain silk kurta lifts a festive dinner instantly; matte jhumkas with a cotton saree work for pujas and office celebrations alike.
Kundan vs Polki: what brides should actually compare
Kundan settings hold flat, foiled glass stones in gold-toned frames for a formal, structured sparkle; Polki-style pieces use uncut-look stones for a raw, older-world glow.
Caring for matte antique-gold finishes
Imitation jewellery lasts years with three habits: wear it last, wipe it with a dry soft cloth before storing, and keep each piece in its own zip pouch so platings never rub.
Choosing a bridal set that survives a 6-hour event
Weight decides comfort: pick a haaram that sits below the collarbone, earrings with ear-chain support if they cross 40 grams, and a maang tikka with a hook - not a paste patch.
Punjabi wedding jewellery: what a bride actually wears
From chooda and kalire to jhumka and choker - the full Punjabi bridal jewellery checklist, and how to layer gold-plated pieces without the weight of a long baraat day.
Bengali bride jewellery: champakali, tikli and the right jhumka
Champakali and chik necklaces, the tikli at the hair parting, and long jhumkas - the East Indian bridal set explained for brides everywhere.
Maharashtrian jewellery: nath, kolhapuri saaj and tanmani
The nath nose ring, the layered kolhapuri saaj and the tanmani pendant - how the West Indian festive set pairs with paithani and nauvari sarees.
South Indian temple jewellery: jhumkas, kasulaperu and kemp
Temple jhumkas, coin necklaces and kemp stones - the South Indian pieces every bride and festive lover should know, styled over silk sarees.
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