THE JOURNAL

Blogs

Styling notes, craft stories and bridal inspiration from the Saubhagya Mumbai warehouse.

How to style temple jewellery beyond the wedding

Temple jewellery is not only for the mandap. A matte antique-gold choker over a plain silk kurta lifts a festive dinner instantly; matte jhumkas with a cotton saree work for pujas and office celebrations alike.

Kundan vs Polki: what brides should actually compare

Kundan settings hold flat, foiled glass stones in gold-toned frames for a formal, structured sparkle; Polki-style pieces use uncut-look stones for a raw, older-world glow.

Caring for matte antique-gold finishes

Imitation jewellery lasts years with three habits: wear it last, wipe it with a dry soft cloth before storing, and keep each piece in its own zip pouch so platings never rub.

Choosing a bridal set that survives a 6-hour event

Weight decides comfort: pick a haaram that sits below the collarbone, earrings with ear-chain support if they cross 40 grams, and a maang tikka with a hook - not a paste patch.

Punjabi wedding jewellery: what a bride actually wears

From chooda and kalire to jhumka and choker - the full Punjabi bridal jewellery checklist, and how to layer gold-plated pieces without the weight of a long baraat day.

Bengali bride jewellery: champakali, tikli and the right jhumka

Champakali and chik necklaces, the tikli at the hair parting, and long jhumkas - the East Indian bridal set explained for brides everywhere.

Maharashtrian jewellery: nath, kolhapuri saaj and tanmani

The nath nose ring, the layered kolhapuri saaj and the tanmani pendant - how the West Indian festive set pairs with paithani and nauvari sarees.

South Indian temple jewellery: jhumkas, kasulaperu and kemp

Temple jhumkas, coin necklaces and kemp stones - the South Indian pieces every bride and festive lover should know, styled over silk sarees.

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